Sunday, February 10, 2019

Google Rolling Out Chrome 72 With Bug Fixes

Google is rolling out the new update for its search browser

Google is rolling out the new update for its search browser, Chrome 72, with bug fixes, security updates and newer features like external storage access for Android apps including microSD cards and USB drives along with Picture in Picture (PiP) mode for Chrome sites.

With Chrome 72, Google has optimised the browser for touchscreen devices in tablet mode and added app shortcuts for Android apps that are now searchable in the launcher, the company wrote in a blog post on Saturday."Users can find an app shortcut by long pressing or right-clicking on an Android app," the post said.

The update also brings Google Assistant and Android 9 Pie to more Chromebooks after a short testing period on the 'Pixel Slate' device.

The update also features a page about touch-gestures in Chrome's built-in screen reader - ChromeVox - tutorial.

"Within the screen reader, we have added a setting in the ChromeVox options page that would read anything under the mouse cursor," the post added.

Additionally, Chrome 72 would allow files saved via Backup and Sync on Google Drive to be available in the Files app under the My Drive/Computers menu option.

Systems would be receiving the updates over the next several days, the post noted.




Source: indiatimes.com

Saturday, February 9, 2019

Glenn Close On The Emotional Impact Of The Wife: “I Just Didn’t Know How To Act It”

Glenn Close has got a new theory about good acting

Glenn Close has got a new theory about good acting. “When I’m in agony, I just have to act through it,” she tells Vogue on the eve of the BAFTAs 2019. “There were scenes in The Wife that I found so hard. The emotion hit me in the stomach, because the relationship was so complex.”

Her lifelong objective – “to choose films that represent a challenge and new emotional, psychological territory” – has paid off. After 45 years as a working actress, Close is hitting a home run of Best Actress accolades for her role as Joan Castleman – the long-suffering partner and ghost writer of Nobel-winning author Joe Castleman – in The Wife, Björn Runge’s quietly devastating adaptation of the 2003 Meg Wolitzer novel of the same name. But Close herself couldn’t be more surprised that her name has been called over her “category sisters” Lady Gaga, Melissa McCarthy, Olivia Colman and Yalitza Aparicio for a role in a film that took 14 years to make.

It was only when Close was seated on the balcony at the Toronto Film Festival premiere when she realised the extent of the film's emotional impact. “I was floored by how a little film and its nuances could catch people unaware,” she recalls. “It really touches a nerve, and uncovers something that is hidden but has not healed.”

The last fight scene, in particular, is an emotional stalemate between a woman who has given everything to a man who never felt worthy of love, because fundamentally he thinks of himself as a failure. “Joe asks Joan, ‘do you love me?’ and I just didn’t know how to act it,” Close remembers. “I think that’s probably how the character felt – it was so unfair of him to ask her that.”

Over the phone, the 71-year-old actress is as gracious as one might expect given her string of considered awards speeches, and pinpoints the film’s success down to her collaborators. “Björn Runge is the essence of an actor’s director – he really knows the process and he respects it,” she comments on his ability to light and frame a scene. “It seems so basic, but a lot of times it doesn’t happen.” As for the “magnificent” Jonathan Pryce, who plays her partner? “Oh boy, we had fun.”

Along with the screenplay writer Jane Anderson, Close and Pryce did a considerable amount of rewriting before the cameras started rolling. “I was in the o-zone for most of the time,” she recalls of the intense preparation period in Glasgow. “I had to understand her emotional arc, because it was a complicit relationship.” When Joan began “fixing” her husband’s writing, she simultaneously made him a hack and got what she wanted, which was to write and have people read her work. “It’s not all him, she bought into it until she couldn’t anymore.”

The worry that “every woman in the audience would get fed up with Joan for not leaving Joe” is a distant memory, but the film has struck a particular chord in the wake of the Time’s Up movement. “It’s phenomenal, because when we shot the film in 2016, #MeToo didn’t exist,” she muses. “People’s sensibilities towards it are more acute now.” Close touched on the subject in her “spontaneous” Golden Globes acceptance speech –  “It was called The Wife. I think that's why it took 14 years to get made,” she said – and had people on the street thanking her for highlighting the sexism within the industry and day-to-day life. “The response was remarkable,” she says. “I feel pressure because I don’t think I’ll be able to repeat that again.”

With the BAFTAs around the corner, and the Oscars in sight, you get the feeling that Close, a Hollywood doyenne who has built a career on choosing women who intrigue her, just might take home the Academy Award. But, even if she doesn’t, she has already won for the women she took on her journey when she told them to “follow [their] dreams” on stage at the Globes.




Source: vogue.co.uk

The Young and the Restless spoilers for next week

The Young and the Restless spoilers for next week’s episode of the CBS soap promise that February sweeps will bring a torrent of drama and delight as the month plays out

The Young and the Restless spoilers for next week’s episode of the CBS soap promise that February sweeps will bring a torrent of drama and delight as the month plays out.

Will J.T’s killer finally be found and arrested? And what about the news that a fan fave is set to return to Genoa City? Stay tuned fans, we’ve got all of the soapy Y&R news that’s fit to print!

Is Adam about to rock Genoa City with his bad boy ways once again? The character last played by This Is Us star Justin Hartley is reportedly coming back to town, and if so a boatload of sturm und drang is sure to follow because he is dead after all!

Oops, in soaps everyone has 18 lives, so Adam’s return would be surprising but not shocking. What in the world would he stir up? Is he the secret friend loitering in the Newman house? Could he be the one behind Victor (Eric Braeden) being framed for J.T.’s death?

In the meantime don’t count the Newman’s out just yet. Yes, Nikki (Melody Thomas Scott) supposedly did the dirty deed, and Victor may take the fall for it, but they have the guile and resources to beat this thing, and you do not want to miss what they pull off next week.

Meanwhile how awkward was it when Lola (Sasha Calle) yelled out her virgin status for all to hear at Crimson Lights? Very. Awkward.

And it is just the ammo that Summer (Hunter King) needs to take down the man in her sights, Kyle (Michael Mealor).

Right about now Kyle looks ripe for some Summer Lovin’ but he may surprise you with how he treats Lola next week.

Are we ready for Shick 42.0? Because that’s what it’s looking like now that these two are commiserating over their mutual J.T. mess!

The Young and the Restless airs weekdays during the day on CBS.




Source: monstersandcritics.com

Albert Finney, Oscar-nominated actor, dies at 82

Finney was a rare star who managed to avoid the Hollywood limelight for more than five decades after bursting to international fame in 1963 in the title role of "Tom Jones."

British actor Albert Finney, the Academy Award-nominated star of films from "Tom Jones" to "Skyfall," has died at the age of 82. Finney's family said Friday that he "passed away peacefully after a short illness with those closest to him by his side."

Finney was a rare star who managed to avoid the Hollywood limelight for more than five decades after bursting to international fame in 1963 in the title role of "Tom Jones."

The film gained him the first of five Oscar nominations. Others followed for "Murder on the Orient Express," ''The Dresser," ''Under the Volcano" and "Erin Brockovich."

In later years he brought authority to action movies, including the James Bond thriller "Skyfall" and two of the Bourne films.

Displaying the versatility of a virtuoso, Finney portrayed Winston Churchill, Pope John Paul II, a southern American lawyer, an Irish gangster and an 18th-century rogue, among dozens of other roles over the years. There was no "Albert Finney"-type character that he returned to again and again.

In one of his final roles, as the gruff Scotsman Kincade in "Skyfall," he shared significant screen time with Daniel Craig as Bond and Judi Dench as M, turning the film's final scenes into a master class of character acting.

Although Finney rarely discussed his personal life, he told the Manchester Evening News in 2012 that he had been treated for kidney cancer for five years, undergoing surgery and chemotherapy.

He also explained why he had not attended the Academy Awards in Los Angeles even when he was nominated for the film world's top prize.

"It seems silly to go over there and beg for an award," he told the paper.

The son of a bookmaker, Finney was born May 9, 1936, and grew up in northern England on the outskirts of Manchester. He took to the stage at an early age, doing a number of school plays and - despite his lack of connections and his working-class roots - earning a place at London's prestigious Royal Academy of Dramatic Arts.

He credited the headmaster of his local school, Eric Simms, for recommending that he attend the renowned drama school.

"He's the reason I am an actor," Finney said in 2012.

Finney made his first professional turn at 19 and appeared in several TV movies, including "She Stoops to Conquer" in 1956 and "The Claverdon Road Job" the following year.

Soon some critics were hailing him as "the next Laurence Olivier" - a commanding presence who would light up the British stage. Britain's pre-eminent theater critic, Kenneth Tynan, called the young Finney a "smoldering young Spencer Tracy" and warned established star Richard Burton about his prowess. In London, Finney excelled both in Shakespeare's plays and in more contemporary offerings.

Still, the young man seemed determine not to pursue conventional Hollywood stardom. After an extensive screen test, he turned down the chance to play the title role in director David Lean's epic "Lawrence of Arabia," clearing the way for fellow RADA graduate Peter O'Toole to take what became a career-defining role.

But stardom came to Finney anyway in "Tom Jones" where he won over audiences worldwide with his good-natured, funny and sensual portrayal of an 18th-century English rogue.

That was the role that introduced Finney to American audiences, and few would forget the lusty, blue-eyed leading man who helped the film win a Best Picture Oscar. Finney also earned his first Best Actor nomination for his efforts and the smash hit turned him into a Hollywood leading man.

Director Tony Richardson said his goal for "Tom Jones" was simply to produce an enjoyable romp.

"No social significance for once," he said. "No contemporary problems to lay bare. Just a lot of colorful, sexy fun."

Finney had the good fortune to receive a healthy percentage of the profits from the surprise hit, giving him financial security while he was still in his 20s.

"This is a man from very humble origins who became rich when he was very young," said Quentin Falk, author of an unauthorized biography of Finney. "It brought him a lot of side benefits. He's a man who likes to live as well as to act. He enjoys his fine wine and cigars. He's his own man, I find that rather admirable."

The actor maintained a healthy skepticism about the British establishment and even turned down a knighthood when it was offered, declining to become Sir Albert.  Finney once said he did not believe in such honors.

"Maybe people in America think being a 'Sir' is a big deal," he said. "But I think we should all be misters together. I think the 'Sir' thing slightly perpetuates one of our diseases in England, which is snobbery. And it also helps keep us 'quaint,' which I'm not a great fan of."

Instead of cashing in by taking lucrative film roles after "Tom Jones," Finney took a long sabbatical, traveling slowly through the United States, Mexico and the Pacific islands, then returned to the London stage to act in Shakespeare productions and other plays. He won wide acclaim and many awards before returning to film in 1967 to co-star with Audrey Hepburn in "Two for the Road."

This was to be a familiar pattern, with Finney alternating between film work and stage productions in London and New York.

Finney tackled Charles Dickens in "Scrooge" in 1970, then played Agatha Christie's super-sleuth Hercule Poirot in "Murder on the Orient Express" - earning his second Best Actor nomination- and even played a werewolf hunter in the cult film "Wolfen" in 1981.

He earned more Best Actor Oscar nominations for his roles in the searing marital drama "Shoot the Moon" in 1982, co-starring with Diane Keaton, and "The Dresser" in 1983. He was nominated again in 1984 for his role as a self-destructive alcoholic in director John Huston's "Under the Volcano."

Even during this extraordinary run of great roles, and his critically acclaimed television portrayal of the pope, Finney's life was not chronicled in People Weekly or other magazines, although the British press was fascinated with his marriage to the sultry French film star Anouk Aimee.

He played in a series of smaller, independent films for a number of years before returning to prominence in 2000 as a southern lawyer in the film "Erin Brockovich," which starred Julia Roberts. The film helped introduce Finney to a new generation of moviegoers, and the chemistry between the aging lawyer and his young, aggressive assistant earned him yet another Oscar nomination, this time for Best Supporting Actor.

His work also helped propel Roberts to her first Best Actress Oscar. Still, Finney declined to attend the Academy Awards ceremony - possibly damaging his chances at future wins by snubbing Hollywood's elite.

He went on to star in director Tim Burton's "Big Fish" and portrayed Britain's wartime leader, Winston Churchill, in "The Gathering Storm."

Finney also tried his hand at directing and producing and played a vital role in sustaining British theater.

Details of survivors and funeral arrangements were not immediately available.British actor Albert Finney, the Academy Award-nominated star of films from "Tom Jones" to "Skyfall," has died at the age of 82. Finney's family said Friday that he "passed away peacefully after a short illness with those closest to him by his side."

Finney was a rare star who managed to avoid the Hollywood limelight for more than five decades after bursting to international fame in 1963 in the title role of "Tom Jones."

The film gained him the first of five Oscar nominations. Others followed for "Murder on the Orient Express," ''The Dresser," ''Under the Volcano" and "Erin Brockovich."

In later years he brought authority to action movies, including the James Bond thriller "Skyfall" and two of the Bourne films.




Source: cbsnews.com